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A contender for the BRIT Award for Best British Single, 'You're Gorgeous' brought Stephen Jones and his group a top three hit while their Top 10 debut album Ugly Beautiful, including the hit track 'Goodnight', also led to a Best British Newcomer nomination.Our second dose of Stephen Jones on this album, after his co-writing credit on 'Sugar Coated Iceberg'. Babybird, initially just a solo project by Jones, was one of those names I recall reading about in the NME as he released a series of home-recorded albums - four within a year, funded by his publisher to launch his career. I didn't actually get to hear any of the music until he'd acquired a backing band, signed to a larger label and re-recorded a selection of highlights as Ugly Beautiful. I heard the first band single, 'Goodnight', and thought it was OK, but this hit proved to be the commercial high-water-mark. A song that was (doubtless intentionally) omitted from the early albums, this was everywhere for a while and remains surely his/their best-known hit.
You can see what Jones was trying to do here, contrasting the big pop-friendly chorus with a verse lyric from the perspective of a young girl being exploited by a sleazy photographer. The trouble is that the two parts don't quite seem to fit together, making it seem a bit too much the wrong sort of cynical, as if he's more interested in cashing in on people who don't listen to the words than in actually opening their minds. the lack of subtlety, and his grizzled vocal makes the joke too obvious to be subversive. He literally laughs at his own joke at the end of the wordless middle-eight; what he ends up offering is the opportunity to be smug about getting something you assume that other people don't.
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