Ash 'Oh Yeah'

Chart Peak: 4

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Ash - Tim Wheeler, Mark Hamilton and Rick McMurray - put Northern Ireland's rock music back on the map when their debut album 1977 topped the charts in 1996. The contenders for the Best British newcomer BRIT Award co-produced the album which includes the Top 10 hit 'Oh Yeah'.

Bet you thought I'd forgotten all about this blog, eh? I hadn't, but I was struggling to fit it around the time I was spending on the Now blog. As I'm taking a couple of days off from there I thought I'd sneak a couple of posts on here in the meantime though.

'Oh Yeah' was no less than the fifth single from the 1977 album, though the first (and only) one to be released after it. A definite change of pace from the punk-pop singles that first got them noticed, it's a slow-building song about the "start of the summer", its teen-love subject matter implying both literal and metaphorical blooming; you can tell that it's a really significant moment when he sings that "her hair came undone in my hands" at the end of the first verse. Ironically, as an actual teenager at the time I didn't consider it one of my favourites, and I even neglected to buy the coloured-vinyl 7" of the single (a decision I soon regretted). Perhaps I was secretly disappointed that this sort of thing wasn't happening to me; or should I say "hadn't happened", since the song is clearly set in the past and the members of Ash aren't much older than I am. It was when I started seeing people born at the same time as me or later having serious chart success (as opposed to novelty hits) that I first started feeling old.

Anyway, I'm almost twice as old now as I was then and I've warmed to the song considerably, rather enjoying the luxuriant string arrangement and Lisa Moorish's (admittedly rather prominent) backing vocal which for all the hype she's had at various times in her career makes this her biggest hit single. Ash struggled to recapture the magic on later releases, although it's partly for want of trying as they seemed increasingly determined to prove themselves as a hard rock band. I think in some ways this plays better to their strengths, and even to their weaknesses - Tim Wheeler's slightly weedy voice suits songs about teenage fumbling better than more confident material - but I suppose it's not a direction they could have pursued indefinitely and some credit's due for not milking it for the cash.

Buy Best of [Deluxe CD+DVD]